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Li Keran

Li Keran (1907–1989), born in Xuzhou, Jiangsu, was a leading modern Chinese landscape painter. He innovated ink techniques and combined traditional brushwork with life study, becoming a major influence in 20th-century guohua.

1907-03-26
04:00
Xuzhou, Jiangsu, China
#Culture & Media
# landscape painting # ink painting # artist # educator # innovator

BaZi Chart

Year
Hurting Officer
丁 Ding
未 Wei
Direct Wealth
Hurting Officer
Rob Wealth
Month
Direct Resource
癸 Gui
卯 Mao
Rob Wealth
·
·
Day
Yuan Male
甲 Jia
戌 Xu
Indirect Wealth
Direct Officer
Hurting Officer
Hour
Eating God
丙 Bing
寅 Yin
Peer
Eating God
Indirect Wealth
View Full Chart

Birth Time Verification

Determination of the Hour: Tiger Hour (about 4 a.m.) Jia Day Master, born in the Mao month, already has a solid foundation and needs the Food God to vent literary thoughts and the Seal to protect learning. The Tiger hour corresponds to Bing in the heavenly stems, and Bing is the Food God who can vividly express artistic talent. The Tiger hour hides Jia to assist the Day Master in strengthening itself, forming a pattern of hard study that can also foster innovation, matching his long-term dedication and the creation of Ink Accumulation Method and Color Accumulation Method, together with life-drawing practice integrated with traditional art. The Tiger hour embodies high creative productivity, a willingness to break through, and the patience to endure refinement. By contrast, the Rooster hour, though the Seal is strong and leans toward academics and official positions, weakens early creative momentum; if the Hurting Officer is too prominent in the Mao or Wei hours, it tends to generate conflicts with authority or too sharp an edge, making it less balanced than the Tiger hour and less aligned with his career fluctuations and comeback achievements.

Core Analysis

Born with the eight characters 丁未 癸卯 甲戌 丙寅, Li Keran's core is a 甲日主 (Jia Wood daymaster) nourished and challenged by a mixed set of 十神. The chart shows a creative-expressive configuration: visible 伤官/食神 elements and supporting 正印 (癸), forming a classic 伤官配印 tension that favors artistic expression while requiring cultivation and study.

The presence of 丙寅 (hour) and 甲戌 (day) supplies dynamic 木火 interaction, giving originality and strong visual imagination. His inventive methods like 积墨法 and 积色法 reflect the productive energy of 食神 and 伤官—these stars encourage technique development, bold brushwork and experimentation in form and color.

Luck cycles (大运) align with career stages: early 壬寅/辛丑 supported study and schooling (1913–1932), 庚子 (1933–1942) brought intense challenge and mobilizing force consistent with creative peaks during wartime, while 己亥 and 戊戌 (1943–1962) provided relative stability for teaching and institutional roles. Periods dominated by 伤官 or 劫财 explain both his outspoken artistic breakthroughs and vulnerability to political turmoil and criticism in later decades.

Traits

1

Creativity & Technique

Exceptional creativity is indicated by strong 食神 and 伤官 presence; the chart favors artistic invention, explaining Li Keran's development of 积墨法 and innovative landscape techniques.

2

Perseverance & Study

The supportive 正印 (癸) and steady wood character of 甲日主 reflect a lifelong '苦学' temperament—continuous learning and dedication to teaching and research in painting.

3

Influence & Leadership

Stable 財官流通 and mid-life 大运 such as 己亥、戊戌 enabled institutional roles (academy leadership); 偏财/正官 dynamics supported public recognition and organizational influence.

4

Sensitivity to Criticism

When 伤官 is over-activated, the native becomes exposed to critique and political pressure; the chart shows cycles (七杀大运) that correspond to periods of harsh external challenge.

Timeline

1920
Luck Pillar
壬 Ren 寅 Yin
Annual Pillar
庚 Geng 申 Shen
偏印大运 流年七杀 学堂贵人 调候用神
13yrs personal

First Brush with Ink: Meeting a Master

At 13, Li Keran joined the local painter Qian Shizhi's studio and systematically studied the landscape painting techniques of Bada Shanren, officially setting him on the path of art and laying the initial foundation for becoming a master.

Analysis
That year Li Keran enters the Renyin Pianyin major luck cycle, with Ren water as the Pianyin star, associated with learning, mentors, and unique insight. The annual pillar Gengshen contains Seven Killings, and the earthly branch Shen also represents Seven Killings. Seven Killings symbolize pressure, challenges, and authority, and also serve as the 'seasoning deity' that helps temper an over‑旺 day master and shape it into a usable form. The annual Shen clashes with the time pillar Yin Wood (Lu Shen), triggering a shift in the hour pillar, which governs later life and craft; this clash also foreshadows new beginnings and exposure to new things. The year's stars include the Academy (Xue-tang) star, favorable for study and mentorship. The combination of major luck and annual pillar—Pianyin aiding the self and Seven Killings shaping—fits the life path of apprenticing and learning under strict guidance to unlock wisdom and skill.
1923
Luck Pillar
辛 Xin 丑 Chou
Annual Pillar
癸 Gui 亥 Hai
正官透干 天克地冲 正印流年
16yrs career

Setting Sail in the Art World: First Entry to Shanghai Fine Arts College

Li Keran gained admission to the Normal Department of Shanghai Fine Arts College, officially launching his systematic artistic education and laying a solid professional foundation for his future as a master.

Analysis
That year Li Keran enters the Xin-Chou Zhengguan (Direct Official) major luck cycle; the Xin Metal Direct Official appears, a favorable star for his Yang-pattern, signaling career growth and rising social status. The yearly pillar Ji-Si (己巳) contains Ji Earth as Zheng Cai (proper wealth) and aligns with the day master Jia Wood and hour stem, forming a Jia–Ji combination, meaning wealth comes to him and important opportunities seek him out. The yearly branch Si contains Geng Metal as Seven Killings, which is also a favorable star; Si also hosts the Wenchang (Academic Star) and Yima (Traveling Noble), highly favorable for study, travel, and skill refinement. The combination of the major luck and the year pillar Ding-Wei forms a天克地冲 (Ding vs Xin, Wei vs Chou), signaling major life changes; this admission to a higher education institution marks an important turning point, moving from his hometown to a broader artistic world.
1929
Luck Pillar
辛 Xin 丑 Chou
Annual Pillar
己 Ji 巳 Si
正官透干 甲己合财 文昌贵人 大运冲年柱
22yrs career

Art Voyage Begins: Entering Hangzhou National College of Art

He was admitted to Hangzhou National College of Art, founded by Cai Yuanpei, where he began systematic study of oil painting and was deeply influenced by masters Lin Fengmian and Pan Tianshou, thereby launching his path to innovating ink painting.

Analysis
That year, the subject enters the Xin-Chou Zhengguan major luck cycle; Xin Metal as the Direct Official is exposed, a particularly favorable element for his Yang-pattern, indicating career development and rising social status. The yearly pillar Ji-Si (己巳) year brings Ji Earth as Zheng Cai (proper wealth) aligning with the day master Jia Wood and hour stem, forming a Jia–Ji combination—wealth comes to him and important opportunities arise proactively. The Si branch contains Seven Killings (Geng Metal), a favorable deity, and Si also houses Wenchang (Academic Star) and Yima (Traveling Noble), highly beneficial for study, travel, and honing technique. The conjunction of major luck with the year pillar Ding-Wei forms a天克地冲 (Ding vs Xin, Wei vs Chou), signaling major life changes; this admission to a higher education aligns with the pattern, marking a pivotal turning point as he moves from his hometown into a broader artistic world.
1932
Luck Pillar
辛 Xin 丑 Chou
Annual Pillar
壬 Ren 申 Shen
Ten-year luck reveals the Official star. The year harmonizes with Wood, unleashing talent. Blessed by Heavenly Virtue and Noble Benefactor. Scholarly Star at Work.
25yrs career

Emergence of Talent: Hangzhou Solo Exhibition

Li Keran held his first solo exhibition in Hangzhou, publicly showcasing his artistic talent for the first time, marking his work entering a broader stage.

Analysis
This year marks the final year of the Xin-Chou Zhengguan great fortune; the ten-year luck's heavenly stem Xin Metal Zhengguan (Official) appears, favorable to the chart, signifying a boost to the career structure and social recognition. In Ren-Shen year, Ren Water as the indirect resource and Ding Fire as Hurting Officer interact to form a Wood–Earth blend, blending the officer's talent with the indirect resource's inspiration, fueling artistic creation and works. Shen's Seven Killings acts as the timing deity, strengthening career ambition. The appearance of Tian De Gui Ren and Xue Tang together suggests intangible protection and wisdom on the path of artistic exploration, providing a solid fortune basis for the first solo exhibition.
1937
Luck Pillar
庚 Geng 子 Zi
Annual Pillar
丁 Ding 丑 Chou
Seven Killings star prominent through the stems. Hurting Officer generates wealth. Helpful people assist. Use of favorable timing deity.
30yrs career

Zhong Kui Featured in Exhibition, Early Brilliance Revealed

The painting 'Zhong Kui' was selected for the 2nd National Art Exhibition in Nanjing, making a name for itself in the art world and drawing broad attention.

Analysis
This year the subject is in the Gengzi Seven Killings major luck; the ten-year luck's heavenly stem Geng Metal and Seven Killings is the chart's most essential favorable deity for the 'Yang Blade' pattern, signaling an upgrade of career structure and authority. In the Ding-Chou year, the Ding Fire Hurting Officer is exposed as the timing deity, enabling Wood to yield to Earth, thus talents are displayed. The annual Chou Earth (Zheng Cai) aligns with the Big Luck and Hour Pillar Zi Water, triggering wealth stars and signaling that the value of works gains official recognition and market recognition. Also, encountering Tian Yi Noble Person in the year helps to gain appreciation at important occasions. The interaction of Hurting Officer driving Kill in the big luck and annual luck is a classic sign of using craft (Hurting Officer) to win fame (Seven Killings), hence one can stand out in national exhibitions.
1938
Luck Pillar
庚 Geng 子 Zi
Annual Pillar
戊 Wu 寅 Yin
Seven Killings star prominent through the stems. Annual luck harmonizes with the Seal star. Official endorsement and noble patron.
31yrs career

Joining the War of Resistance, Using the Pen as a Weapon to Rally the People

During the War of Resistance, he went to Wuhan to join the Third Department of the Political Office led by Guo Moruo, dedicating himself to anti-Japanese propaganda; he produced posters such as 'Who Damaged Your Happy Home!', using art as a weapon to ignite patriotic fervor.

Analysis
This year is in the Gengzi Seven Killings major luck; the ten-year luck's Geng Metal Seven Killings is the chart's favorable deity, signaling a rise in career and social responsibility. In the Wu-Yin year, Wu Earth (partial wealth) reveals itself and aligns with Gui Water (Proper Seal), forming a 'Wealth meets Seal' pattern. This indicates a close integration of personal talent (Seal star) with era opportunities (Wealth star), and through cultural propaganda (Seal governs arts and education) to serve the nation (Wealth can represent national resources and the public). The Yin Wood in the annual branch acts as the Lu (prosperity) star for Day Master Jia Wood, and meeting the Official Endorsement Noble Person signals official recognition and support; personal talent can thus play a crucial role during national crisis, illustrating proper use of favorable deities and a productive 官印 relationship.
1939
Luck Pillar
庚 Geng 子 Zi
Annual Pillar
己 Ji 卯 Mao
Wood and Earth combine to form Earth (wealth star) Day pillar and year pillar form a double harmony The yearly cycle clashes with the major luck Tai Ji noble benefactor
32yrs personal

A War-Torn Journey: The Torch of Art Continues a New Chapter

Because Wuhan’s war situation was dire, Mr. Li Keran fled the chaos, traveling from Changsha to Guiyang and finally reaching Chongqing. Amid the upheaval he did not lay down his brush but continued painting and prepared for future teaching, showing the resilience and responsibility of a Chinese intellectual in wartime.

Analysis
This year features the Gengzi major luck with Seven Killings, and the annual is Ji Mao. In bazi terms, the Day Master Jia Wood harmonizes with the year's Ji Earth wealth, and the day pillar Jia Xu with Ji Mao form a 'Heaven and Earth double harmony'—a matched pairing that suggests opportunities amid upheaval. The combination turning into Earth (the wealth star) implies that although the migration was to escape danger, it could lay a new foundation for future career and life. At the same time, the year's branch Mao and the major luck's Zi, along with the time pillar Zi, form a 'Zi-Mao clash', a kind of harsh penalty, vividly depicting travel hardship, interpersonal friction, and inner struggle. Yet the annual divine stars bring Tai Ji Nobleman and the General Star, indicating wisdom and leadership are awakened, laying the groundwork for new artistic and educational ventures in Chongqing.
1942
Luck Pillar
庚 Geng 子 Zi
Annual Pillar
壬 Ren 午 Wu
Seven Killings in major luck exposed in stems Annual forms Heaven-Earth double harmony Artistic talent shines and becomes wealth Noble stars appear
35yrs career

In the Mountain City, Brushwork Flourishes, Masterpieces Follow

During the Chongqing period, his artistic output reached a peak, producing several notable portraits, including 'Qu Yuan', 'Wang Xizhi', 'Wind and Rain Return to the Pasture', and 'The Herd Boy Pointing at Xinghua Village'; the latter was collected by master Xu Beihong, boosting his reputation.

Analysis
This year falls within the Gengzi major luck (Seven Killings) and the Ren-Wu annual. The major luck's heavenly stem Geng Metal Seven Killings is favorable to the Day Master Jia Wood, restraining its excess and promoting growth, like pruning a towering tree to raise its stature, signaling an upgrade in career structure and social status. The annual Ren-Wu interacts to form a Heaven-Earth double harmony with the day pillar, stimulating talent and fame; the 'Shi Shang' star (talent/creativity) shines and turns into wealth. The presence of Tai Ji Nobleman, Tian Chu Nobleman, and the General Star further enhances wisdom, patronage, and opportunities to stand out in the field.
1943
Luck Pillar
己 Ji 亥 Hai
Annual Pillar
癸 Gui 未 Wei
Wood and Earth form Earth (wealth star) Three-Wood Formation Tian Yi Nobleman Tian Guan Nobleman Hua Gai Star
36yrs career

Teaching in the Arts, Nurturing a Generation of Talent

He formally became a lecturer at Chongqing National Art College, stepping into professional fine arts education and beginning a career of teaching and cultivating artistic talent.

Analysis
This year enters the Ji Hai major luck, with Ji Earth wealth as favorable energy; it forms 'Jia-Hi' to indicate wealth arriving to support the self, signaling stable position and income. The yearly Gui Hai forms the 'Three Wood' formation with Hai-Mao-Wei; the strength of the Bi Jie indicates education and documentation, making teaching and knowledge dissemination appropriate. The year’s Gui Water as the positive seal denotes official recognition and credentials. The appearance of Tian Yi and Tian Guan noblemen brings patronage and institutional opportunities; Hua Gai star activates, aiding artistic talent and teaching. Though it is a year of changes, these shifts align with wealth-star support and noble guidance, leading to a successful transition into education.
1944
Luck Pillar
己 Ji 亥 Hai
Annual Pillar
甲 Jia 申 Shen
Wealth from Jia-Ji combination Benefactor in the year Wood and Fire are prominent
37yrs career

Chongqing Ink Charm: A Display of Elegance

At the Chongqing-Soviet Friendship Association, he held a solo exhibition of traditional Chinese painting. With superb technique and distinctive style, he rose to prominence in the art world, further cementing his professional status in guohua (traditional Chinese painting).

Analysis
This year falls within the major Direct Wealth luck cycle, with the ten-year luck pillar's heavenly stem Ji Earth Direct Wealth aligning with the day master Jia Wood at the day and hour, forming Jia-Ji combined with Earth Wealth, signaling wealth and fame rising. In the year of Jia-Shen, Jia Wood activates the pattern; the Shen Metal in the earthly branch is the Seven Killings star, which is also a favorable metal for the day master, aiding refinement and achievement. The year's auspicious stars converge: Heavenly Virtue Benefactor, Moon Virtue Benefactor, and Golden Carriage, indicating support from benefactors, wide renown, and exhibition platforms. The chart itself is strong in Wood and Fire, and with wealth coming to help, this is an excellent moment to transform inner talents (Wood and Fire) into outer achievements (Earth and Metal). The successful solo painting exhibition is a perfect reflection of this fortune.
1946
Luck Pillar
己 Ji 亥 Hai
Annual Pillar
丙 Bing 戌 Xu
Wealth from Jia-Ji combination Mao-Xu fire linkage Talent shines through; Shishen emerges in the stems Official endorsement and artistic brilliance
39yrs career

Beiping National Art Academy: Opening a New Chapter in Modern Art

On Xu Beihong's invitation, he taught at Beiping National Art Academy, and together with Lin Fengmian, Wu Dayu and other masters, participated in the 'Independent Art Exhibition,' actively promoting the development of modern Chinese painting.

Analysis
This year is in the Ji Hai Direct Wealth major luck, with the ten-year cycle's Ji Earth Direct Wealth aligning with the day master Jia Wood, forming 'Jia-Ji combines with Earth Wealth,' signaling career support from benefactors and new platforms. The annual flow is Bing Xu; the Shishen appears; the Mao-Xu fire pairing activates the peach blossom and artistic stars, and fire represents artistic creation and expression. The year's auspicious stars Guo Yin (Official Seal) and Hua Gui (Noble Canopy) appear together; Guo Yin signifies official recognition and position, and Hua Gui represents unique artistic talent and ideas. Together they align with being invited to Beiping National Art Academy and holding exhibitions. Although the year faces some clashes, the overall chart and cycles form a favorable pattern where talent becomes wealth and is put to use, marking an important turning point in his artistic career.
1949
Luck Pillar
己 Ji 亥 Hai
Annual Pillar
己 Ji 丑 Chou
Wealth from Jia-Ji combination Unfavorable stars form a triple conjunction Three penalties for the year Hour pillar double conjunction
42yrs career

Echoes of the Era in the Brush: Creating 'Street Buskers'

Around the founding of New China, he created the freehand figure painting 'Street Buskers,' focusing on the living conditions of society's lower strata from the artist's perspective, reflecting deep humanitarian concern.

Analysis
This year falls at the intersection of Ji Hai Direct Wealth and Ji Chou yearly flow (Direct Wealth). The year's heavenly stem Ji Earth Direct Wealth combines with the day master Jia Wood, forming Jia-Ji combined with Earth Wealth, signaling strong creative motivation and value realization. However, the chart's Wood (the 'self' or 'friends') is very strong, which can be an obstacle. The ten-year cycle's Hai Water with the year and month pillars Wei, Mao, Hai form a triple Wood pattern, and the strength of the unfavorable energy is unusually high, marking both the pinnacle of personal artistic style and the need to break through the limits of one's perspective. The year's earthly branches Chou, Wei, and Xu form the Three Penalties (Wei-Xu-Chou), punishing wealth and official wealth, stirring a deep awareness of social changes and the plight of the lower classes. Meanwhile, the year and hour pillars form a Zi-Chou conjunction, creating a double heaven-earth harmony; this draws the power of the Shi Shen (Talent Star) and the Yin Star (representing inner thought), so talent and thought combine, ultimately giving birth to this work that focuses on the era and the people.
1957
Luck Pillar
戊 Wu 戌 Xu
Annual Pillar
丁 Ding 酉 You
Month pillar doubles with the ten-year fortune The year's Hurting Officer star appears through the heavenly stem Benefic stars: Tian Yi and Wen Chang The Month pillar clashes with the Rabbit and Rooster branches
51yrs career

Artistic Diplomacy: Berlin Exhibition of Brilliance

Traveling to East Germany with painter Guan Liang, he successfully held a solo exhibition at the Berlin Academy, earning international recognition for his artistic talent and laying the groundwork for a Prague exhibition and publication of a collection two years later.

Analysis
This year falls under the戊戌 partial wealth luck, with the ten-year cycle in harmony with the month pillar, marking a golden period for a solid foundation, helpful peers, and favorable cooperation and fame. The year features Ding You, with the Ding Fire Hurting Officer prominent, indicating talent and expressive drive are fully unleashed, benefiting creation and display. The Rooster (Official) and Rabbit (Wood) clash opens changes, but also loosens constraints on wealth, allowing the Official energy related to career and reputation to surface. The year gathers benefic stars Tian Yi, Wen Chang, and Tian Guan, suggesting talent will be recognized by noble circles and opportunities at official or academic institutions (Berlin Academy), a key step toward an international artistic stage.
1964
Luck Pillar
丁 Ding 酉 You
Annual Pillar
甲 Jia 辰 Chen
Hurting Officer exposed in the heavenly stem Yearly luck aligns with Official star Wood and Fire energies strongly present
57yrs career

Painting of the Soul: Red Mountains Across the Land

Created the landmark work Red Mountains Across the Land, blending traditional ink wash with his self-created color-accumulation technique to depict red landscapes in a distinctive style, becoming an era classic.

Analysis
This year the subject is in the Ding You Hurting Officer major luck, with Jia Chen in the annual cycle. The Ding Fire Hurting Officer shines, signaling a peak of artistic talent and innovation. The year's Chen aligns with the ten-year cycle's You, moving the Official star and earning high official or mainstream recognition for the artwork (Hurting Officer expressed as art). The chart shows a clear presence of Wood and Fire energies, with Jia Wood rising as a supportive force fueling strong creative energy. The Chen–Xu clash breaks through the day pillar's spouse and wealth sectors, signaling change and breakthroughs, releasing the inner artistic vision and the era's red theme into a milestone work.
1974
Luck Pillar
丙 Bing 申 Shen
Annual Pillar
甲 Jia 寅 Yin
Major luck and yearly luck clash Unfavorable Wood is strong Yang Blade meets clashes
67yrs personal

Black Painting Controversy; Abrupt End to Artistic Path

During the 'Black Paintings' movement, he faced criticism and was forced to stop painting for six years, a severe interruption to his artistic career, sending life into a low period.

Analysis
This year the subject faces a major setback; the major luck (Da Yun) clashes with the yearly luck. The strong presence of the unfavorable Wood energy, combined with the Yang Blade meeting clashes, heightens external pressure (including political movements) that suppress artistic creation, forcing a halt in production and a low period in life.

FAQ

How does Li Keran's 甲 Daymaster explain his artistic talent?
A 甲日主 combines growth and outward expression; with prominent 食神/伤官, it predisposes him to visual creativity, experimentation, and the stamina to refine technique over decades.
Which luck periods matched his artistic breakthroughs?
Early 壬寅/辛丑 supported formal study and skill formation (1913–1932); 庚子 (1933–1942) and 己亥/戊戌 (1943–1962) correspond to creative peaks and institutional consolidation respectively.
Why did he face career interruptions and criticism?
The chart's strong 伤官 and intermittent 七杀/劫财 cycles make him both outspoken and exposed; such configurations often bring innovation paired with vulnerability to external campaigns and criticism.
How did his Bazi contribute to later market success and legacy?
Accumulation of recognition aligns with stabilizing 大运 (正财偏财及印星支持) and his consistent teaching roles; these produced a durable reputation and collectible works that rose in market value.
What balance would improve a chart like his?
Greater supporting Water/印 to nourish 甲 would temper exposure from 伤官, offering emotional resilience while preserving creative output and long-term harmony.

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