Liu Haisu
Liu Haisu (1896–1994) was a seminal Chinese painter and educator who fused traditional Chinese painting with Western techniques. As a pioneering school leader and international cultural ambassador, his career combined bold artistic experimentation, institutional innovation, and recurrent public controversy, ultimately earning late-career international honors.
BaZi Chart
Birth Time Verification
Core Analysis
Liu Haisu's natal pillars (丙申 辛卯 戊辰 乙卯) present an Earth-dominant structure centered on the 戊辰 Day Master. The chart carries multiple 比肩 and visible 正官 influences (辛卯, 乙卯), while 伤官 and 偏印 elements appear through 辛 and 丙申, producing creative expression coupled with public scrutiny.
The mixture of 比肩 (self-will and independence) with strong 正官 (institution, discipline) explains Liu's dual role as an autonomous artist and as a persistent institutional leader who founded and reformed art schools. The presence of 伤官 signals inventive talent and a tendency to challenge norms—consistent with his advocacy for nude figure study and coeducation, which provoked disputes.
大运 cycles align with life events: early 壬辰/癸巳 years correspond to formative school-building and publication; the 甲午 (七杀) decade matches his intensive overseas engagement and public contention; 乙未 (正官) brings institutional prominence; mid-life 丙申/丁酉 years show mixed support and later political persecution, while later cycles usher in international rehabilitation and awards.
Overall, the chart reads as a creative, institution-building 戊土 Day Master whose 十神 dynamics create both pioneering energy and friction with authority—explaining a life of artistic innovation, public controversy, persecution, and eventual recognition.
Traits
Creativity
High creativity driven by 伤官 and 偏印 presence in the chart; these 十神 encourage artistic expression, stylistic innovation, and willingness to synthesize diverse techniques.
Leadership & Institution Building
Strong leadership arises from the 戊辰 Day Master with reinforcing 比肩 and 正官 factors;命理依据: this配置 supports organizing institutions, teaching roles, and long-term school governance.
Resilience
Resilience is indicated by persistent 比肩 energy and later supportive 印运;命理依据: despite adverse 大运 like 甲午 (七杀), the chart retains resources for recovery and late honors.
Conflict Proneness
Conflict tendency comes from active 伤官 confronting 正官, producing controversy;命理依据: the clash between expressive 官杀关系 and institutional rules explains public disputes and political trouble.
Timeline
Child Prodigy Emerges; Painting Tops National Children's Exhibition
At age 11, he created the Chinese painting 'Crab', which participated in the First National Children's Painting Exhibition; the work was printed on the cover of the exhibition catalog, marking his first nationwide recognition of artistic talent.
Shanghai Awakening; Early Exploration of Western Painting
Leaving his hometown, he went to Shanghai to join the studio founded by Zhou Xiang, where he began systematic study of Western painting techniques, marking the awakening and starting point of his artistic career.
First Step as Teacher; Opens Home Art School
In Changzhou, he founded an illustration teaching studio at his home (also known as an art training hall), putting his learning into practice and beginning his early career in art education.
Pioneering the Trend: Founded China's First Specialized Art School
At seventeen, he co-founded the Shanghai School of Illustration and Fine Arts in Shanghai with Wu Shiguang and Zhang Yuguang, and served nominally as vice-principal, becoming a pioneer of modern Chinese art education.
Branding Art’s Identity Under the Banner of 'Traitor'
Liu Haisu held China’s first life-drawing exhibition at Shanghai Art School, triggering a sensation and earning the public label of 'art traitor'. He did not retreat; instead, he embraced the title, showing his resolve to push for art reform.
Shining at Peking University Lectures, Opening a New Chapter in Art Thought
Appointed as a lecturer for Peking University’s Art Methods Research Association, he taught 'Art Trends' and held a successful solo exhibition, gaining prominence in both academia and the arts, with influence rapidly expanding.
Breaking with the Old, Pioneering a New Era
At the Shanghai School of Fine Arts, the school admitted female students for the first time, achieving co-education; afterwards, the person went to Japan to study art education and held a solo exhibition; upon returning, founded the art collective Tianma Society.
Crossing to Japan, Bringing Western Learning to Light
In October, went to Japan to attend the opening ceremony of the Imperial Art Academy; after returning, translated Millet's Biography and Cézanne's Biography, dedicating effort to bringing Western artistic thought into the country and becoming a pioneer of art dissemination.
Across the Seas to Become an Oriental Researcher at the Grancook Art Research Institute
In February, traveled to France, Germany, and Italy to study art education and served as a researcher at the Grancook Art Research Institute, launching an important phase of international artistic exchange.
Crossing the Ocean to Discuss Painting Theory
Gave a lecture at Frankfurt University in Germany on the Chinese painting theory 'Six Methods'; for the first time, systematically introduced traditional Chinese painting theory to European scholars, spreading Eastern artistic thought in a foreign land.
Berlin Art Exhibition, Fame Spreads Far
Hosted the 'Chinese Modern Painting Exhibition' in Berlin, Germany, and toured lectures and exhibitions at institutions such as the Prussian Academy of Arts, bringing Chinese modern art to the international stage; personal prestige and career influence reached new heights.
Return from the South Seas to Shanghai, Reinstated as President of Shanghai Fine Arts College
Returned to Shanghai from the South Seas and resumed the presidency of Shanghai Fine Arts College, continuing to advance art education; the career marks an important return and expansion.
Official Seal Struck, Literary Star Falls
During the Anti-Rightist Campaign, he was labeled a rightist, dismissed from his teaching post, and faced a major political setback that abruptly changed the course of his life.
Fiery Heart, Home Treasures Destroyed
During the Cultural Revolution, he was subjected to repeated denunciations and home raids; most of his lifelong collection of cultural artifacts was destroyed, with only a portion surviving thanks to prior relocation to the Shanghai Museum.
Art Hall Crowned: Major Retrospective Exhibition Hosted by the Ministry of Culture
Jointly organized by the Ministry of Culture and the China Artists Association, the Liu Haisu Art Exhibition marks his artistic status officially and professionally reaffirmed, a milestone in his career.
FAQ
How does Liu Haisu’s Day Master explain his career?
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