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Shang Xiaoyun

Shang Xiaoyun (born 1900) was a leading Peking Opera dan performer and educator, founder of the Rongchun school. Renowned for martial skill, vocal technique and pedagogy, he built a lasting artistic lineage, combining tradition with innovation and personal sacrifice for teaching and troupe building.

1900-01-07
08:00
Jiangsu, China
#Entertainment
# Peking Opera # Dan role # Founder # Educator # Artistic Reform

BaZi Chart

Year
Direct Resource
己 Ji
亥 Hai
Eating God
Indirect Wealth
·
Month
Direct Officer
丁 Ding
丑 Chou
Direct Resource
Hurting Officer
Rob Wealth
Day
Yuan Male
庚 Geng
辰 Chen
Indirect Resource
Direct Wealth
Hurting Officer
Hour
Peer
庚 Geng
辰 Chen
Indirect Resource
Direct Wealth
Hurting Officer
View Full Chart

Birth Time Verification

Preferred hour: Chen hour (8:00 a.m.). The Day Master is Geng Metal, relatively firm, and it benefits from the support of peers. In the Chen hour, Bi Jian (peers) is revealed and shares the same root as the Day Master, forming a double Geng, double Chen pattern. This indicates a strong will, bold decisiveness, and the ability to be self-reliant and start a business, aligning with the temperament of founding Rongchun Society, leading a troupe in performances, and serving as a role model. The Chen hour is a storehouse, containing Wu, Yi, and Gui; it provides both the practical backing of martial prowess and latent talents in the arts and teaching, which can explain why he excels at martial-dan roles and also studies singing styles and runs schools that cost the family fortune. Compared with other hours: the Ren-Wu Shi Shen hour emphasizes artistic expression but lacks entrepreneurial leadership; the Ding-Chou or Ding-Hai heavy Guan Sha tends toward government offices and strict discipline, but does not match Chen hour in practical labor and independence; the Bing-Zi or Bing-Xu Seven Killings, though bold, are impulsive and not favorable for long-term schooling and inheritance. Therefore the Chen hour pattern embodies both artistic creation and teaching dedication, and it also explains late-life official positions and the hardships during the Cultural Revolution; hence Chen hour is the most fitting.

Core Analysis

Shang Xiaoyun's natal eight characters center on a Geng (庚) Day Master supported by duplicated 庚 in day and hour, indicating strong self-energy and visible presence. The chart contains significant 偏印/正印 and multiple 伤官 indications across pillars; this combination forms a creative-expressive yet studious 印格 tendency, where learning, teaching and artistic output are mutually reinforcing.

The presence of 比肩 (peer/self) and repeated 辰 branches supplies practical ground for leadership and troupe organization, while hidden resources allow adaptability. Major life achievements—early acclaim, founding Rongchun school, and later institutional roles—align with cycles where 偏财 and 伤官 were active, enabling artistic entrepreneurship and innovative productions.

Periods of struggle, including the 1910 injury and Cultural Revolution persecution, correspond to clashes in the chart's cycles where authority and conflictary Ten Gods (such as 七杀/正官 influences in certain Da Yun) created pressure on health and status. Overall the chart favors public artistry, pedagogy and institutional initiative, balanced by recurrent cycles demanding resilience and reform.

Traits

1

Artistic Creativity

High creativity is indicated by strong 伤官 and 食神 presence; this favors expressive singing, innovative staging and vocal technique, explaining his pioneering of the 'Shang' style.

2

Leadership & Teaching

Duplicated 庚 (比肩) and abundant 印 support indicate self-reliance and a teaching temperament, accounting for founding Rongchun school and sustained pedagogy.

3

Resilience

Resilience arises from balanced hidden 辰 resources and repeated Da Yun cycles of 偏财/伤官, enabling recovery after injury and political setbacks, though vulnerability appears when 正官/七杀 cycles press.

4

Practical Entrepreneurship

Presence of 偏财 in major Da Yun and supportive 伤官 expression suggests capacity to manage troupes, fund schools and adapt repertoire, albeit sometimes at personal financial cost.

Timeline

1905
Luck Pillar
丙 Bing 子 Zi
Annual Pillar
乙 Yi 巳 Si
Year pillar clashes with Tai Sui Heavenly stems clash with Earthly branches Harmony with Direct Seal (mentor support) Water trine formation
6yrs personal

The Beginning of Enlightenment and Family Decline

At about five, Shang Xiaoyun began private schooling for early education. However, soon after his father died, the family fortunes gradually declined, marking a major turning point in his life.

Analysis
This year falls within the Yi-Si annual cycle, which forms a strong clash between heavenly stems and earthly branches with the natal Ji-Hai pillar, signaling a major life upheaval. The Si branch clashes with Hai; Hai represents the 'food God' and also contains wealth in Jia wood, symbolizing the father, family roots, and early fortune. This clash triggers family upheaval and the father's death. Meanwhile, the year's Yi wood (Direct Wealth) aligns with the Day Master Geng metal in a pattern that suggests apparent wealth (education investments) but hidden losses and misfortune, draining the family fortune. The major luck cycle Bing-Zi and the month pillar Ding-Chou unite, strengthening the Direct Seal, which governs study and protection, enabling schooling amid turmoil.
1907
Luck Pillar
丙 Bing 子 Zi
Annual Pillar
丁 Ding 未 Wei
Luck cycle aligns with the Direct Seal Yearly luck clashes with the Parents Star Favorable element gains ground A host of benefactors appear
8yrs career

Studying under the Sanle Society: A New Chapter in the Arts

Shang Xiaoyun apprenticed to Peking Opera artist Li Chunfu, joining the Sanle Society program to study the martial male role, adopting the stage name 'Sanxi', and officially beginning his opera career.

Analysis
This year, Shang Xiaoyun enters the Bingzi luck cycle. The earthly branch Zi water and the month pillar Chou earth form a mutual connection that activates the Direct Seal star, representing teachers, studies, and protection; this is favorable for apprenticeship and elder support. The yearly stem Ding is the Direct Official, a favorable deity for the chart, and with Ding having a grounded presence in the annual branch, the favorable deity gains ground, boosting initiative and opportunities. The clash between 未 and 丑 disturbs the印 star, symbolizing family and living environment; this hints at leaving the old environment and entering a new field (the formal training). The celestial helpers Tian Yi, Tai Ji, and Fu Xing gather, signaling excellent mentor luck this year. Overall, the luck cycle activates the印 star; with the favorable deity in place and benefactors, it's an ideal time to study and lay the foundation for a career.
1908
Luck Pillar
丙 Bing 子 Zi
Annual Pillar
戊 Wu 申 Shen
Water triad formation Talent and artistic expression unleashed Helpful mentors guide you
9yrs career

Shifting to the Dan Role; Dan Role Takes Shape

Shang Xiaoyun reaches a key turning point in his artistic path, moving from the martial male role to the dan (female lead) role, and apprenticing to Tang Zhu-ting. Because his looks and temperament resemble veteran Sun Yiyun, he changes his stage name to 'Shang Xiaoyun' and officially begins a new era in his opera career.

Analysis
That year, Shang Xiaoyun is in the Bingzi luck cycle. The water triad formed by Shen-Zi-Chen is strong, with water representing his talent, performing gifts, and learning capacity. The powerful water formation unleashes his artistic potential, making it easier to learn new techniques for the dan role. The annual stem Wu indicates new mentors and learning opportunities, aligning with apprenticeship under Tang Zhu-ting. The luck cycle and the month pillar alignment activate the Direct Seal, and the presence of Tian Yi Guiren further ensures elder guidance and mentorship. This transition is driven by the vigorous talent energy in his chart, channeling into the best artistic expression.
1910
Luck Pillar
乙 Yi 亥 Hai
Annual Pillar
庚 Geng 戌 Xu
亥亥自刑 辰戌相冲 比劫忌神 印旺为病
11yrs personal

A One-Chi Injury, a Lifelong Regret

During a rehearsal of Garden of Fallen Flowers, due to a misstep in pitch, the teacher struck the area beneath the right lower ribs with a ruler, resulting in a lifelong hiccup as a sequela.

Analysis
This year coincides with the opening of the乙亥 great fortune cycle. The Hai Water in the great fortune and the year pillar form a Hai-Hai Self-Punishment, signaling inner conflict and self-imposed troubles, with a higher risk of injuries or illnesses. In the flowing year, the day master is Geng Metal strengthened by a clash with the Xu Earth (辰戌相冲), which directly impacts the root of the day master and the body's palace. The day master is Geng Metal, strong in body and the 印 (Seal) star is旺, making 土 and 金 unfavorable. The year's stems reveal Geng as a 比肩 (peer) (忌神); the Xu Earth is 偏印 (partial Seal), another 忌神; their combined strength intensifies the imbalance of earth-heavy metal and the notion of 印旺为病 in the chart. Overly旺 印 tends to suppress and bind; the Xu Earth opening the day pillar 辰 reveals latent injuries and triggers a body harm that leaves a lifelong imprint.
1912
Luck Pillar
乙 Yi 亥 Hai
Annual Pillar
壬 Ren 子 Zi
食伤三会水局 流年双合月柱 天乙贵人 将星
13yrs career

Farewell Palace Jiang: The First Cry of a New Pear Garden Star

Shang Xiaoyun starred in Peking Opera's 'Farewell Palace Jiang' and, with outstanding performance, quickly made a name in the Peking Opera world, drawing early industry attention and launching a brilliant artistic career.

Analysis
This year Shang Xiaoyun is in the乙亥正财大运, with the流年壬子. In BaZi terms, the 'Shishang' energy (talent, skill, performance) peaks: the running year, major fortune, and the month and hour pillars form a strong Three-Water Gathering (Chou-Hai-Zi Water), where Shishang represents talent, craft, performance and expression. This strong Water happens to be the favorable element in his BaZi, greatly releasing his artistic gifts. At the same time, the running year壬子 together with the month pillar丁丑 forms a 'heaven and earth double harmony', with丁壬合木 creating Wealth and丑子合印 creating the Seal, indicating career opportunities, smooth internal and external progress, and easier official or mainstream recognition. The annual star set includes Tian Yi Nobleman and General Star, indicating noble support and rapid emergence in a team. Overall, this powerful Shishang energy drives his artistic talents to shine on stage, eventually leading to fame.
1914
Luck Pillar
乙 Yi 亥 Hai
Annual Pillar
甲 Jia 寅 Yin
流年双合 喜用透干 国印贵人 财星合身
15yrs career

Farewell Palace Jiang: The First Cry of a Child Star

In a Beijing Guohua Daily-hosted child-actor contest, Shang Xiaoyun stood out for outstanding talent and technique, winning the title of 'Child Star King' and gaining early recognition in the Pear Garden.

Analysis
This year Shang Xiaoyun is in the乙亥正财大运, with the running year 甲寅. His BaZi day master is Geng Metal, and his favored elements are Wood and Fire. The yearly stem 甲 Wood (partial wealth) is favorable and aligns with the year pillar 己 Earth, forming the pattern 甲己合土 that triggers the 印 (Seal) star, signifying talent and recognition by authorities. The running year 寅 Wood aligns with the year and fortune branches, reinforcing wealth (Wood) and 印 (Seal), indicating career opportunities and mainstream recognition. The year features the National Seal Nobleman and other auspicious stars, aiding official recognition. Thus, with favorable elements and noble support, his talents shine in public elections, earning the title of 'Child Star King' and marking a key step in his career.
1917
Luck Pillar
乙 Yi 亥 Hai
Annual Pillar
丁 Ding 巳 Si
Ten-year wealth alignment Yearly timing favorable and grounded Travel star clashes Benefactors converge
18yrs career

The 'Three Small, One White' Earns Fame Across Jiangnan

Shang Xiaoyun, together with Yang Xiaolou, Tan Xiaobei, and Xun Huisheng, toured Shanghai for performances, acclaimed as the 'Three Small, One White' troupe traveling south, performing over seventy shows, rising to fame and earning widespread renown in Jiangnan.

Analysis
This year, Shang Xiaoyun is in the乙亥 ten-year luck cycle (1910-1919). The cycle's heavenly stems reveal乙木 as the true wealth (正財) emerging, forming a 'day master merges wealth' pattern with the day master庚金, signaling ten years of wealth flow, beneficial for career development and value realization. The annual stem丁巳; 丁火正官 is the favorable adjustment deity for his chart, representing career opportunities and official recognition; the earthly branch巳火 is a thriving place for官杀, boosting drive and execution. The year's巳火 clashes with亥水 (the traveling horse), triggering the 食神 star, indicating travel, changes, and display of skills, matching the southbound Shanghai performances. At the same time, benefactor stars gather in both the ten-year cycle and the year (Tian De, Yue De, Wen Chang, etc.), providing strong support and a luminous stage aura for his performing arts career.
1918
Luck Pillar
乙 Yi 亥 Hai
Annual Pillar
戊 Wu 午 Wu
Ten-year wealth alignment Yearly timing favorable and grounded Wen Chang benefactor Lucky star benefactor
19yrs career

Back-to-Back Victory: Reclaims Child Star Crown

In the Beijing Opera newcomer competition organized by the Shuntian Times, Shang Xiaoyun won the 'Child Star King' title again with an overwhelming 15,525 votes, pushing his artistic reputation to a new peak.

Analysis
This year Shang Xiaoyun is in the乙亥 ten-year luck cycle (1910-1919). The ten-year stems乙木正财 merge with the day master庚金, forming a 'wealth merges' pattern, indicating ten years of wealth luck favorable for fame and profit with clear goals. The yearly stem is戊午; 午火 is the strong root for 丁火 as the favorable adjustment deity, making the timing well adjusted and giving peak career motivation and execution; talents and ideas can be realized on stage. The year's午火 clashes with亥水 and the ten-year亥水, subtly resonating with benefactors; the ten-year cycle and fate chart carry Wen Chang benefactor, and the year also meets 福星贵人; with multiple auspicious stars converging, he stands out in public votes, and his fame and talent gain broad recognition, marking a major career breakthrough.
1924
Luck Pillar
甲 Jia 戌 Xu
Annual Pillar
甲 Jia 子 Zi
Favorable deity clearly revealed in stems Wealth aligns with authority Benefactors converge Yearly timing forms a Water trig (water pattern)
25yrs career

Crowned in the Opera World, Among the Four Great Dan

Shang Xiaoyun, together with Mei Lanfang, Cheng Yanqiu, and Xun Huisheng, were named by the Shuntian Times as Beijing Opera's Four Great Dan, signaling broad social recognition of his artistic achievements and a peak in his performing career.

Analysis
This year Shang Xiaoyun is in the甲戌 great fortune cycle; the ten-year stems 甲木 as the favorable deity (喜用神) appear as 偏财 (partial wealth), indicating fame and wealth opportunities. The yearly stem 甲子; 甲木偏财 again reveals, and it harmonizes with the year's己土正印, forming a pattern of Wealth coming to support the Seal; this means his artistic talent (印星) gains broad social recognition through commercial value (财星). The year's 子水 with the fate year's 亥水 and the month branch 丑土 form a strong Water pattern (食伤), where the 食伤 represents artistic expression and fame dissemination; the water energy greatly boosts his artistic influence. Meanwhile, the year brings Tian Yi nobleman and General Star; a strong benefactor luck helps him stand out among the Four Great Dan and gain recognition from authoritative media.
1925
Luck Pillar
甲 Jia 戌 Xu
Annual Pillar
乙 Yi 丑 Chou
Wealth from others appears prominently Seasonal tuning; leveraging the favorable element Heavenly Noble Wealth formed by Jia Wood–Ji Earth pairing Chen-Xu clash
26yrs career

Establishing an Independent Venture, Founding the Xieqing Society (later renamed Chongqing Society)

Shang Xiaoyun founded the 'Xieqing Society' (later renamed Chongqing Society), served as its president, and invited several renowned masters to join, opening a new chapter in her artistic career.

Analysis
During this year, Shang Xiaoyun was in the Jiaxu ten-year luck cycle (1920–1929). The ten-year pillar's heavenly stem Jia Wood is a favorable wealth deity for her birth chart, signaling wealth accumulation and clear goals. The annual pillar Jiazi (1925) brings Jia Wood wealth again and acts as a timing deity, indicating vitality and opportunities. The Jia Wood aligning with the Ji Earth in the year pillar forms a Jia–Ji wealth combination, drawing wealth stars into the chart and signaling a strong push to accumulate assets and lay a foundation for her career. At the same time, the luck pillar's Xu and the day pillar's Chen clash, breaking stagnation and driving action; the clash opens the treasury and stirs the career palace, a sign of starting a career and establishing independence. The Zi water in the annual branch forms a water cluster with Hai and Chou, representing talent, craft, and expression; the strong water cluster enhances artistic talents, attracting strong popularity and opportunities for collaboration. The presence of Tian Yi Gui Ren (Heavenly Noble Person) indicates favorable interpersonal relations, aiding in hiring masters and building a team. Overall, this year blends wealth and talent with noble support, turning personal artistic talent into a solid career platform (wealth) with excellent opportunities.
1942
Luck Pillar
壬 Ren 申 Shen
Annual Pillar
壬 Ren 午 Wu
Eating God luck cycle Annual aligns with Official Star Three-Water Formation Print star strong is a caution
43yrs career

Mortgage Property to Run a School; Pouring All Family Wealth to Safeguard the Art's Flame

To sustain Rongchun Society's operations, Shang Xiaoyun did not hesitate to sell seven houses, a bold act of 'mortgaging property to run a school', demonstrating her selfless devotion to戏曲 education and the transmission of the arts.

Analysis
This year Shang entered the Ren-Shen Eating God luck cycle, with the annual pillar Ren Wu. The Ren Water Eating God in the yearly stem reveals itself and aligns with the monthly Ding Fire Official star (Ding-Ren forming Wood), activating the career star. The Eating God represents sacrifice, devotion, and the transmission of skills; the Official star binding indicates tying personal talent to career responsibility, which matches his decision to spend his fortune on education. The luck pillar's Shen and the day pillars Chen and Zi form a Three-Water Formation, creating a strong water influence; water is Eating God, further reinforcing his willingness to invest heavily in art education. However, the chart's Print star is too strong, and the presence of inauspicious Earth in the Shen and Wu branches suggests that the Print star tied to real estate/assets is being drawn upon, leading to the sale of houses. Overall, this is a duty-driven period under Eating God conjoining Official, but constrained by the inauspicious Print star, resulting in a significant sacrifice for a higher cause (official duty).
1949
Luck Pillar
壬 Ren 申 Shen
Annual Pillar
己 Ji 丑 Chou
Eating God luck cycle Three-Water Formation Heavenly Noble Literary Hall Official-Print mutual generation
50yrs career

New China, New Opera: 'Mo Dai' and 'Night Return' Open a New Chapter

After the founding of the People's Republic, Shang Xiaoyun enthusiastically engaged in new opera creation, releasing 'Mo Dai' and 'Night Return', illustrating the artist's exploration and responsibility in the new era.

Analysis
This year Shang is in the Ren-Shen Eating God luck cycle's final year, with the ten-year stem Eating God governing talent and artistic creation. The yearly pillar Ren Wu aligns with Zi water in the hour pillar and Hai water in the year pillar, forming the Hai-Zi-Chou Three-Water Formation, bringing a strong water influence; water represents Eating God, signaling a surge of artistic inspiration and performance skill. Although the year's Chou branch is a taboo star, the Three-Water Formation converts obstacles into opportunity, unleashing powerful creative energy. The year also carries Tian Yi Gui Ren, benefiting relationships and reputation; the ten-year cycle includes the 'Ci Guan' (Literary Hall), indicating refined writing and creativity. The chart's Official-Print mutual generation suggests a noble, elevated pattern; in the context of the founding of New China, his artistic creation (Eating God) and social responsibility (Official-Print) are well aligned, marking an important chapter in this artistic career.
1950
Luck Pillar
辛 Xin 未 Wei
Annual Pillar
庚 Geng 寅 Yin
Fortune cycle clash Yearly wealth alignment Official star well placed Benefactors assist
51yrs career

Founding a School of Drama; a Theater Troupe Emerges to Meet the Moment

With the approval of the Beijing Municipal Government, Shang Xiaoyun formally established her own theater troupe, gathering many renowned Peking Opera masters and opening a new chapter in her artistic career.

Analysis
This year Shang is entering the辛未 great luck cycle; the big luck's 未 clashes with the month pillar 丑, forming a 'Chou–Wei clash' that signals a destabilization of roots and a major turning point in her career. The annual pillar庚寅 contains 木, and with 亥 wood they combine to form wealth energy, and the wealth star is drawn into the chart, indicating opportunities for official support and resource integration in her career. Notably, the flow year's 寅 houses丙 Fire (the Seven Kill star), and the big luck's 未 houses丁 Fire (the Official Star). This strengthens the 官杀 (official) energy—the very favorable deity her chart needs. Fire represents career, reputation, and official recognition, and its strengthening helps her seize opportunities amid upheaval and realize her artistic ambitions. The flow year also brings noble stars such as Tian De, Yue De, and Guo Yin, facilitating official endorsement and social prestige, paving the way for the troupe's founding.
1959
Luck Pillar
辛 Xin 未 Wei
Annual Pillar
己 Ji 亥 Hai
Fortune cycle clash Three penalties (Chou–Wei–Xu) Benefactors assist Official star well placed
60yrs career

Responding to the Call, Settling in the Northwest to Open a New Chapter

Invited by Xi Zhongxun and others, Shang Xiaoyun moved her entire family to Xi'an to support cultural development in the Northwest, marking a new stage in her artistic career.

Analysis
She is in the 辛未 big luck (1950-1959); the 未 in the big luck clashes with the 月 pillar 丑, forming a Fortune cycle clash that signals a major upheaval and relocation. The year戊戌 (1958-1959) forms 丑未戌三刑 with the month pillar, intensifying changes and turning points in life. The Three Penalties (Chou–Wei–Xu) are often linked to migration and changes in environment. At the same time, 丁 Fire as the Official Star appears in both the fortune and the year stem, aligning with official invitations to support Northwest construction. The big luck also features Tian Yi and other auspicious stars, suggesting that with the help of benefactors, challenges can be transformed into new opportunities.
1966
Luck Pillar
庚 Geng 午 Wu
Annual Pillar
丙 Bing 午 Wu
Officials and killers tangled Peers seize official power Year and luck converge Zi–Wu clash
67yrs personal

Sudden Cold Snap Strikes a Star; Humiliation Follows

During the Cultural Revolution, Shang Xiaoyun was branded as an 'old opera tyrant' and other labels, and was imprisoned in the 'cow shed' to undergo struggle sessions, dealing a severe blow to her artistic career and personal dignity.

Analysis
That year she is in the庚午 big luck; the 丙午 year pillar aligns, creating a simultaneous 'year-and-luck' and午午 self-punishment, intensifying turmoil. The Day Master is庚金, fairly strong, typically needing Fire (官杀) to temper. Yet the fortune's stems include庚金 as a rival and the year's 丙火七杀 also appears, forming a fierce pattern of 'peers and killer seizing official power.' Peers represent rivals, and the Seven Kill star denotes pressure, blows, and sudden calamities. The stems' clash signals external competition triggering official repression. Meanwhile, the earthly branch 午 clashes with the hour pillar 子 (Zi–Wu clash), and the luck's 午 also clashes, forming a 'double clash on the child palace' that signals family upheaval and a severe hit to roots and reputation (the hour pillar also indicates late-life residence). Although noble stars like Tian De and Yue De appear, in this extreme刑冲 environment, the aid of benefactors is hard to offset the era's disasters.

FAQ

How does Shang Xiaoyun’s Geng Day Master affect his artistic profile?
As a Geng (庚) Day Master, strong self-assertion and visible presence are typical. Combined with 印 and 伤官, it produces a blend of disciplined technique and expressive innovation suited to leading performances and schools.
Which pillars in his chart explain his teaching and school founding?
Abundant 偏印/正印 across year and month pillars indicate a learning and nurturing orientation; duplicated 比肩/庚 supports leadership. These factors explain his dedication to pedagogy and founding Rongchun school.
Why did he experience both early fame and later persecution?
Early fame aligns with favorable Da Yun activating 偏财/伤官 for public expression and entrepreneurship. Later political persecution corresponds to cycles where confrontational Ten Gods like 正官/七杀 and hostile clashing of branches pressured reputation and freedom.
How do the Da Yun cycles reflect his major life events?
Da Yun such as 1910-1919 (乙亥) and 1920-1929 (甲戌) supported creative and financial expansion (偏财/伤官), matching peaks in performance and school founding. Later Da Yun with authority-related influences correspond to institutional appointments and political trials.
What practical advice arises from this Bazi reading for performers today?
Cultivate both technical discipline and expressive outlets: strengthen protective resources analogous to 印 (study, mentorship) and manage periods of intense public output by preparing for Da Yun that bring authority pressure, protecting health and reputation.

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